Charles Eisenstein - New Story

Sacred Economics traces the history of money from ancient gift economies to modern capitalism, revealing how the money system has contributed to alienation, competition, and scarcity, destroyed community, and necessitated endless growth. Today, these trends have reached their extreme - but in the wake of their collapse, we may find great opportunity to transition to a more connected, ecological, and sustainable way of being.
This short contains some visuals from the upcoming feature doc Occupy Love http://occupylove.org

and here an another video "Charles Eisenstein Full-length Interview from Living the Change":

We hope you get as much from this interview as we did! Below are a list of questions we asked Charles:

1:06 - What are the 'old story' and 'new story' that you describe in your writing?
14:37 - Where does the sense that a better world is possible come from?
19:16 - What guides us in the space between stories to creating the new story?
21:11 - How did the world get to where it is now?
28:20 - Do you think advancements in technology can solve the problems we're facing?
33:50 - Do you see the current money system as a symptom of separation?
37:50 - What could an alternative system look like? Would the current system need to collapse to make way for the new?
43:24 - Can individual action create big change?
48:14 - What is the wound of separation and how do we see it expressed in society?
54:32 - What do you advise people to do in times of not knowing what to do?
1:01:33 - Can doing nothing take you to a place of knowing what to do?
1:06:39 - When you imagine the new story, what does it look like?

WWF mit Monsanto

Der Pakt mit dem Panda

Die Dokumentation will die Geheimnisse des WWF ergründen. Sie wird zur einer Reise ins Herz des grünen Empire und sie erschüttert den Glauben an den Panda.

Tebarans Testament

Die große Nachfrage der westlichen Welt nach Tropenholz und Palmöl bedroht die Welt von Tebaran, dem Häuptling der Penan, eines der geheimnisvollsten Stämme der Welt im fernen Borneo. Tebaran hat erlebt, wie sein Stamm - ein Volk von Jägern und Sammlern - an den Rand des Untergangs gedrängt wurde. Palmöl, die Basis für Bio-Diesel und andere Haushaltsprodukte, wird im Westen als die grüne Alternative für Brennstoff verwendet. Doch, wie die Dokumentation zeigt, ist dies unmittelbar mit der Zerstörung des Regenwaldes in Borneo verbunden und mit der Bedrohung eines der letzten Völker, die nach der ältesten menschlichen Lebensweise ihr Leben führen.
Heute gibt es nur noch einige wenige Hundert Nomaden vom Stamm der Penan. Ihr Häuptling Tebaran musste mit ansehen, wie die meisten seiner Stammesbrüder in Reservate gezwungen wurden, er aber lehnte es immer hartnäckig ab, den Regenwald zu verlassen - nun versuchen Tropenholzfirmen und Palmölplantagen, ihn zu vertreiben. Für Tebaran scheint die Schlacht verloren. Doch bevor er und sein Stamm für immer verschwinden, spricht er sich zum ersten Mal offen aus. Es sind die letzten Worte eines Nomaden, bevor sein Stamm endgültig ausgelöscht wird.

Alternativer Link: http://youtu.be/wCcu1FViZw0

Princess Mononoke

Video streaming by Ustream

Review from: http://www.animecritic.com/mononoke/anr-mononoke.html

When Princess Mononoke was first announced to be hitting North American theaters, fans everywhere were heralding a new age for anime (well, those that weren't decrying Disney as being the greatest evil in the world, but that's something else entirely). Princess Mononoke was supposed to usher in a new age when anime would finally go mainstream; when fans everywhere could show the non-believers that anime was more than just Sailor Moon or Pokemon. Anime was finally supposed to gain mainstream acceptance.

It didn't go quite as planned, mainly due to severe under-promoting of Princess Mononoke on the part of Miramax. This doesn't mean, however, that fans got to miss out on what many consider to be the greatest anime film ever.

Princess Mononoke begins with a young man named Ashitaka encountering a hideous boar covered in writhing worms. The boar is on a rampage and threatens several members of his village including his younger sister. Ashitaka bravely battles the boar and successfully kills it, even though he is wounded in the process. The wound is no simple one, for the boar had become a demon and Ashitaka now bears its curse. He is forced to leave his village to look for a way to free himself from the curse and hopefully discover why the boar had become a demon.

Ashitaka's journey eventually leads him to a fortress-like town named "Irontown". The people of Irontown, under the rule of Lady Eboshi, have been mining iron from within a nearby mountain. It is with this iron that they are able to manufacture early forms of rifles, crude by today's standards, but very devastating nonetheless. The mining, however, has resulted in the destruction of the forest which once covered the mountainside. The creatures of the forest are none to pleased with being driven from their homes, none more than Moro, a giant wolf god, and her adopted human daughter, San. San has been repeatedly attacking the humans of Irontown in an attempt to drive them away. Ashitaka, though, believes that the humans and animals can get along peacefully and this lands him squarely in the middle of the conflict.

While the story seems like a simple tale of humankind versus nature, there are many layers which complicate things. For starters, there are no outright evil people in this tale. Even Lady Eboshi, the ruler of Irontown and person most responsible for the destruction of the forest, is quite compassionate when it comes to other humans. She takes in lepers and women from brothels and gives them a place a work and live. There's also Jigo, who, while being quite self-centered, still exhibits very human traits and even helps out Ashitaka in the early goings. And, of course, I mustn't forget San, whose relentless drive to protect the forest leads her into deadly conflict with the humans. Yet, while she is an enemy of the humans, her intent is merely to save her own homeland.

Studio Ghibli has truly created a wondrous work in Princess Mononoke. Multiple conflicts abound with humans against humans, humans against nature, and even nature against itself. The conflicts are such that they are woven into an incredibly deep and satisfying plot. It's very refreshing to see a movie that is capable of such story-telling without resulting to simple cliches and tired rehashings of the same old story lines.

The mythical world in Princess Mononoke is ripe with lush forests, sweeping landscapes, and incredible vistas. The sheer beauty of the locales is one of the best reasons to watch this film. The creatures which inhabit it are truly fantastic and could only come from a very creative mind. From the frightening, twisted boar in the beginning to the diminutive, yet bizarre kodama, every creature has a magical nature to it and melds seamlessly into a rich mosaic of the strange and wonderful.

The visual and aural qualities of this movie make it a true feast for the senses. The artwork is simply some of the most beautiful work I've seen in an animated movie, and the animation quality is excellent. Everything is rendered in painstaking detail, the highlights being the teeming forests in which the movie takes place. Everything is so vivid and detailed that I often sat in silent wonder simply absorbing the stunning visual imagery.

And as if this wasn't enough incentive to watch this masterpiece, the DVD release most certainly is. It not only includes 5.1 Dolby Digital audio tracks for English and French, but the original Japanese audio as well. Hooked up to a surround sound system it sounds very nice indeed. The original opening and ending credits are also included, along with two separate subtitle selections, close captions of the dub and a literal translation of the original. The DVD visuals are quite gorgeous, bright and crystal clear. The only real area the DVD lacks is in the extra features department, but that's only a minor quibble. The Princess Mononoke DVD is something every fan should have in their collection.

Alternative Links:
http://www.veoh.com/watch/v18808924xhdTB6S7
http://rutube.ru/tracks/940295.html?v=ddd5e6cb1ed6d805b7b83fa90390add5
http://www.kumby.com/princess-mononoke-the-movie/
http://www.123video.nl/playvideos.asp?MovieID=961171

Nausicaa of the Valley of the Wind

Einer der ersten Miyazakis. Wie immer einmalig berührend und zauberhaft.

Aus Wikipedia:
In einer postapokalyptischen Zukunft ist ein Großteil der Erde vom „Meer der Fäulnis“ bedeckt, einem riesigen, giftigen Pilzwald, der sich ständig ausdehnt und auch die letzten von den wenigen noch lebenden Menschen bewohnten Landstriche zu überwuchern droht. Die meisten Menschen betrachten den Wald und die in ihm lebenden Rieseninsekten als Todfeinde.

Nausicaä ist die Prinzessin des „Tals der Winde“, das durch vom Meer kommende Aufwinde vor den Pilzsporen geschützt ist. Sie hat ein besonderes Gespür für den Umgang mit Tieren und der Natur und untersucht das Meer der Fäulnis genauer. Sie entdeckt, dass dessen Pflanzen in der Lage sind, den durch die Menschen verseuchten Boden zu reinigen und an diesen Stellen ungiftige Natur hervorzubringen.

Bevor Nausicaä ihre Entdeckung bekannt machen kann, wird ihr Tal von den Truppen des Königreichs Torumekia angegriffen. Diese töten Nausicaäs Vater und wollen sich der Überreste eines der zehn Kriegstitanen der technologischen Hochzeit bemächtigen, um das Meer der Fäulnis zurückzudrängen und andere Territorien zu erobern. Als das Königreich Pejite zerstört wird, beginnt ein neuer Krieg, in dessen Verlauf das Tal der Winde ebenfalls vernichtet zu werden droht.

Nausicaä muss nach dem Tod ihres Vaters ihr Volk in den Kampf führen. Die Vorsehung und der Mut des Mädchens bringen dem hoffnungslos scheinenden Krieg eine überraschende Wende, bei der auch eine alte Prophezeiung über den Retter der Welt eine Rolle spielt.